three dancers in reproductions of Oskar Schlemmer costumes in black, white and silver

(2022) META | MOR | PHOS – A Triadic Fiction

Description

In this centenary year, the Chicago-based Hedwig Dances reimagines the “Triadic Ballet” in an approximately 40-minute fluid, experimental interpretation and co-production with the Bauhaus Dessau Foundation. The new work, “Meta | Mor | Phos – A Triadic Fiction,” premiered at the Bauhaus Museum in Dessau, Germany on September 1, 2 and 4, 2022. Schlemmer’s original costume designs serve as a form of exoskeletons from which new figures, and a new evolution of humanity, emerge. Following a prologue in which the historical costumes appear, “Meta | Mor | Phos” demonstrates how, through the metaphor of insect metamorphosis (larva, pupa, imago), a new image of humanity can emerge. In this way, Schlemmer’s “Triadic Ballet” is reactivated as a living, unfinished experiment in human transformation, this time re-connected to the natural world.

Schlemmer’s “Triadic Ballet” is an icon of avant-garde dance and performance art. It premiered 100 years ago in Stuttgart, Germany, and was subsequently further developed by its creator Oskar Schlemmer at the Bauhaus. To this day, the costumes Schlemmer designed for this constructivist abstract ballet, which he characterized as sculptures moved by dancers, continue to inspire reproductions, adaptations, and homages.

As a painter, sculptor, designer, and movement theorist living through a time of rapid industrialization, Oskar Schlemmer was fascinated by the transformative abilities of the body in different material, formal, and spatial contexts. He continually rearranged his Triadic costumes to experiment with, and mirror, humanity’s evolving relationship with technology. That relationship is also reflected in the dance’s abstract-geometric environment. His “Triadic Ballet” posited that technology would radically alter the trajectory of human existence.

This thesis has proved prescient. Technology has fundamentally transformed humanity, but not always for the better. Today, Schlemmer’s 1920’s era enthusiasm for technology is exchanged for a renewed appreciation for humanity’s ties to the natural world. In an age of climate change and environmental degradation, this co-production focuses on how humans can connect with natural non-human life forms for the benefit of their own species as well as the planet as a whole.

 

Cast

Choreographer: Jan Bartoszek

Dramaturg: Torsten Blume

Dancers: Ciara Borg, Olivia Gonzalez, Jessie Gutierrez, Hannah Marcus, Lucas Van Rensburg, Rigo Saura

Music: Patricia Taxxon, with additional music and sound design by Richard Woodbury

Costumes: Oskar Schlemmer from the “Triadic Ballet”

Additional costume and mask design and production by:  Torsten Blume; and, soft sculpture costume design by Jacky Kelsey with fabrication by the Chicago Puppet Studio, a program of the Chicago International Puppet Theater Festival, led by Blair Thomas with Zachary Son, Averly Sheltraw, Miki Straus and Lelia Woods.

Performance(s)

Bauhaus Dessau Festival, Dessau, Germany,

Bauhaus Museum

September 1, 2 and 4, 2022

 

ELEVATE Festival

Dance Center of Columbia College

October 13 + 14, 2022 @ 7:30 PM

Critique(s)

“DIBBLED, THROWN, STRIPED”  Bauhaus Festival Dessau: Dancing like in Oskar Schlemmer’s time

 Sandra Meyer, state correspondent for Saxony-Anhalt

Special Thanks

SPECIAL THANKS TO OUR SPONSORS

Pamela Crutchfield

Nancy Kosobud

Susan Manning and Doug Doetsch

Mayer Brown LLP (German Office)